Albuquerque Journal
Review
Music
June 25, 2001

 

California EAR Unit Ends Concert Series With Rhythmic Power
By JOANNE SHELBY HOOVER

FOR THE JOURNAL

The Santa Fe series 20th Century Unlimited, ended its fifth season Saturday with a foot-tapping, freewheeling evening in the St. Francis Auditorium. Dissonances bouded off the adobe walls and the audience still loved this program of which the oldest work dated from 1997.

The concert offered a classic demonstration of the primal power of rhythm. that power has been understood by musicians from rock to jazz to Stravinsky, Bartok and beyond.

The concert was also a tribute to the near-manic intensity of the EAR Unit. A motley crew of brilliant individualists whose briar patch is cutting edge contemporary, they have been Ensemble-in-residence at the Los Angeles County Museum of Art since 1987.

The California EAR Unit consists of Marty Walker on clarinet, Dorothy Stone on flute, Vicki Ray on piano, Amy Knoles on percussion, Erika Duke-Kirkpatrick on cello and Robin Lorentz on violin.

If the dazzling upward spiral of this evening is typical, they thrive on the near impossible.

The greater the demands of the music, the more fiercely concentrated their playing became.

It was not a matter of outward display. No emotional flinging about, they just moved deeper into their art with laster-like concentration...

..."Go" by the Arkansas-born James Sellars was written...for the ensemble. A densely textured, nonstop, ten-minute vertigo trip...

"Sp!t", a crackling, witty piece written last year by Oregon-born Nicholas Frances Chase, cleverly added a turntable with colors from sensuous to raspy to the ensemble.

The subtle and lyrical "Cendres" of 1998 by Kaija Saariaho of Finland inserted an interlude of mystery into the evening.

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