San Diego Village News
Arts & Entertainment

February 21, 2001

 

Noise Revs Up for Series at Library
By MICHAEL C. BURGESS

VILLAGE NEWS

Some of us may have difficulty appreciating works by composers of American academia such as Milton Babbit and Anthony Davis. But there are UCSD [University of California, San Diego] students totally at home with this contemporary music that tends to have no obvious rhythm or melody.

"It's funny to see the audience trying to nod along to the beat when there isn't one," a student was heard to say on a La Jolla sidewalk after San Diego New Music's (SDNM's) first concert of this year's Noise at the Library series at the Athenaeum Music and Arts Library on Sunday, January 32...

[Anthony] Davis gave a short talk prior to the concert and explained [his "Goddess Variations III", performed by the composer in the concert] were part of a work inspired by the plight of slaves transported from Africa...

...another Davis composition "Still Waters III, " the pianist was joined by cellist Reynard Rott and flutist Lisa Cella who is now San Diego New Music's executive director.

Rott and Cella are members of NOISE, SDNM's resident ensemble dedicated to the presentation of contemporary music...

Vocalist Fiona Chatwin joined...to perform the first item of the evening: "TemA" by Helmut Lachenmann...

Later, violinist Mark Menzies replaced Chatwin in the trio to play "Con Voce für Drei Stumme Spieler" by Mauricio Kagel...

The same trio was made a quartet by the addition of clarinetist Anthony Burr, whose solo made pleasing beginning to Milton Babbit's "Composition for Four Instruments" (1948).

Composer Nicholas Frances Chase was introduced from the audience to tell how his art teacher mother brought home a print, the Andy Warhol masterpiece "Sixteen Jackies," and this encounter so changed Chase's life that he composed "tw!TcH" to express what he believes Warhol would have written had he been a composer instead of a painter.

The Chase work (performed by Cella on flute, Menzies on violin and Charon Rosner on contrabass) painted a jolly picture with much wood knocking and tongue clicking that seemed to satisfy Philistines and cognoscenti alike...

(read the whole review at Mr. Burgess homepage)

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